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NEWS '- StenopeiKa 4x5 new edition with extensions up to 90 mm

Standard, 30 mm focal

mode with an extension, 60 mm focal

mode with 2 extensions, 90mm focal

Specifications:

StenopeiKa 4x5 new edition 30 mm

hole 0.15 mm (calibrated)

focal length 30 mm

diaphragm f200

format 4x5 negative "

weight 400 g (without back)

size 140 (172) x155x50

No. 2 slots for standard tripod 1 / 4 "

StenopeiKa 4x5 New Edition 60 mm

hole 0.2 mm (calibrated)

focal length 60 mm

diaphragm f300

format 4x5 negative "

weight 650 g (without back)

size 140 (172) x155x80

No. 2 slots for standard tripod 1 / 4 "

StenopeiKa 4x5 new edition 90 mm

hole 0.3 mm (calibrated)

focal length 90 mm

diaphragm f300

format 4x5 negative "

weight 900 g (without back)

size 140 (172) x155x110

No. 2 grafts to three feet


The real innovation is the ability to choose the focal length that suits you. If a focal length of 30 mm on a 4x5 "looks too wide, what's the problem? Just add 1 or 2 extensions (sold separately) and there was a 4x5 with an angle of view of a normal lens. As you can see the technical features, each has a focal diameter of the hole perfect, but nothing prevents you from experimenting!
I wish you much pleasure!

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Anticipation ... StenopeiKa 4x5 new edition with focal extensions!!

now you can choose from three different focal lengths, 30mm, 60mm, 90mm

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Why pinhole photography today?


pinhole photography, but from the ancient taste, has a philosophy that is detached from other modes of take pictures: it makes us take ownership of our feelings, enjoy the ability to look back, analyzing the content and appreciating the various aspects that are being or who want to propose.

Why the major difference with photography "traditional" is precisely the approach with which the photographer approaches the subject to resume. It 's the time taken for recovery. But especially different is the relationship between man and machine.

In a word: simplicity.

Franco Vaccari says: "The charm of this type of photography is that it meet the minimum of complication with the highest instrumental magic combination of results ... this is a source of psychological well-being, as occurs every Once you get good results with the energy savings ... "

As rightly suggests Vincenzo Marzocchini "pinhole photography creates the conditions (long exposure times) for extended periods of the surrounding world, stimulating our slow but effective transition from look to see [...]"

Another word: time.

The fear of loss of time, but even more anxious to gain time, are now typical of the constant our time, the way we produce, to lead the life, to consume. The images are consumed at a dizzying pace, enough to make a "pass time" a dangerous vortex of recovery time. "

In the pinhole photography time is necessarily long, and the simple act of looking can become really the act of thinking.

But maybe it's something more, "is a way to collect images as purest "says the maestro Paul Gioli, but adds," is the most complicated and very bloody, because you will be taken away even that which everyone is now worried the sight [...] this is with the pinhole deleted: it is denied the goal, the shot ".

With this little testify again I want to renew my love for this sport, so unique and lonely, so unique as to render a solo full of friends and a repeat of I love more photos, taken with just the "box of magic" as the name of my friend Franco.